Lil Peep Come Over When You're Sober, Pt. 2 (og version) Album Review

The first posthumous album from Lil Peep stands as an act of tribute and protection for an artist whose legacy is still very fragile.

When Gustav Åhr died, his profession was hovering simply above the floor. He became 21 years old with 4 tapes and a few EPs underneath his stage name Lil Peep—just sufficient paintings to carve out a cultured and construct a corner of the sector. He had simply launched his album Come Over When You’re Sober Pt. 1, which changed into generating extra interest than something he’d completed before. At suggests, fanatics have been beginning to chant lower back every word of his songs. He appeared bemused by means of the shudders of country wide interest around him. “I’m here, doing my issue,” he shrugged in an interview with Montreality in April 2017, some months before his surprising demise from an overdose of Fentanyl and Xanax. Later in the interview, he was asked in which he’d be at age 86. He laughed on the concept, difficult.

Lil Peep lived near loss of life and appeared cozy together with his proximity to it, which isn't similar to trying to die. He time-honored the idea that he veered in the direction of the edge than some and that he might, in some unspecified time in the future, cross the road, a clarity that got here through in reality and consistently in his lyrics. He in no way minced phrases approximately his depression or his struggles with dependancy, nor did he cause them to appear bigger than they had been. He stated his pain without a doubt, and for this, he comforted legions of young fans who felt safer of their own sorrow when included by way of his.

This plainspoken depiction of deep melancholy was the emotional middle of Peep’s paintings. It radiated out from the whole lot he did, and reverberates through Come Over When You’re Sober Pt. 2. The venture has gestated for over a year, as Peep’s near friend and producer Smokeasac pored over the unfinished album and Peep’s vocal takes alongside his mom, Liza Womack. Womack isn’t just a bereaved mom but a steward of Lil Peep’s paintings, and he or she has spoken of her funding in Come Over Pt. 2 on an emotional stage as well as a cultured one. “If you care sufficient to pay for an artist’s work, then consider the artist’s work,” she stated.

You can experience that devotion poured into the result, evinced as a lot by way of what’s here as via what’s now not. There are no tagged-on capabilities, no maudlin tributes, no voices pushing from the margins to percentage the highlight with Peep. There is not anything but his downcast tune, as he could have made it. It is an act of tribute and preservation for an artist whose legacy is still very fragile.