Jesús Vázquez returns to tune overlaying ‘Bailar pegados’ with the aid of Sergio Dalma

Three many years after their first and most effective album thus far, Jesús Vázquez sings once more. The famous presenter, who in 1993 launched the album ‘A scant  millimeters out of your mouth’, returns to the musical universe with a version of ‘Bailar pegados’, the mythical track via Sergio Dalma. A track that he has recorded for the new Jazztel marketing campaign and that he has reawakened at the communicator “many and really stunning reminiscences”.

Vázquez is passionate about the “fun and captivating” a challenge that has intended reinterpreting ‘Bailar pegados’, a music that he defines as “a hymn of this united states of america”. A ballad written and produced by means of Julio Seijas and Luis Gómez-Escolar with which Sergio Dalma represented Spain within the 1991 Eurovision Song Contest, completing in fourth position and turning Dalma into one of the superb stars of romantic songs.

Now, Jesús Vázquez closes the circle in a positive manner, because Dalma additionally blanketed Jesús Vázquez’s hit unmarried ‘Y yo te besé’ in 1995, with the discharge of the track renamed for the Jazztel campaign as ‘Tan solo ahorrar no is to shop’. In this new edition, Vázquez has approached the legendary ballad looking to make the tune his very own with “his personal tones and his personal sign up” with out looking to imitate “that prodigious voice” and so non-public of Dalma.

To prepare this version, keep in mind that the primary aspect he did become “listening commonly to the original music sung by using Sergio Dalma” to investigate and internalize “nuances and tone”. Then it was time to meet the entire team with whom he became going to reimagine this iconic romantic ballad for the Jazztel campaign.

Especially vital was the education paintings with the manufacturer, with whom he met earlier than even beginning the recordings to make a primary contact: “It changed into to get my tones, to look my document, to peer where I became shifting… in order that the producer might additionally realize the indicators he may want to deliver me and the way to direct the recording of the music later”.

“When you move right into a recording studio, you need to accept as true with the individuals who are on the alternative side of the fishbowl and I put myself of their arms,” says the presenter and singer who has been the picture of Jazztel for 14 years now.

MANY AND GOOD MEMORIES

And, exactly, going again to the studio has been what has awoke in Jesús Vázquez great reminiscences of the entirety he lived thru in Italy recording ‘A Dos Milímeteros Escasos De Tu Boca’, his album with which he reached sixth area at the charts. In Spain and a gold file.

“Going back into a recording studio has delivered returned many memories of after I launched my first and only document to this point (…) it’s been over thirty years because I launched the album and I even have superb memories of that report” , recollects Vázquez, who recalls how that younger guy loaded with “phantasm” he traveled to Milan to spend “hours and hours” recording his first album.

“It has awoke very great reminiscences in me, it has made me experience superb, actually,” says the presenter, who assures that once Jazztel proposed to sing again, he jumped headfirst.

“In a majority of these marketing campaigns that we've got performed… I actually have already carried out almost everything. I am a very bold guy and I love demanding situations and demanding situations. I am constantly hard them and when they regarded with the idea that I could return to sing, I didn’t hesitate for a 2d to move ahead”, says Vázquez, for whom this return, at a selected moment, to music has been “A very, very profitable enjoy in every way.”

And this has been the case to such an volume that he does no longer rule out that this occasional foray with the version of ‘Bailar pegados’ for Jazztel may want to deliver upward push to new musical initiatives in the destiny. “The reality is, at this factor in my existence I could return,” says Vázquez, who qualifies that the maximum vital component whilst coming into a recording studio is “work, method and desirable production.” “Why now not? I love tune and I love to sing, so maybe if they knock at the door I’ll solution,” judgment.